Monday, April 30, 2012
Sunday, April 29, 2012
A nEW rOBOT fAG
I'm almost through processing, concieving, executing a dialogue of art speaking to art through MY ART as the medium. I'm doing it in three acts.
The first act is the anatomy of 1000 European Master works from the rennaisance and in it's first third I have gotten used to working with a digital medium in order to interpret the emotions that come through communicating what isn't said by mouth/mind and laying bare the thread that is the idea for the culmination of works.
The idea is a fairytale. In that I have based a visual storyline around a story of "Umil" a near far boy who helps his step-father groom the fields of time. In this family nucleus Umil is isolated by the arrival of his baby sister and doesn't feel connected to the infrastructure. Still working on the family strife issues. Umil is a child of molestation and had been repeatedly raped by his mother's personal shopper/best friend and has not told anyone. His step father has a prototype helmet for field maintenence that has customized modifications that differ from standard issue helmets and has the potential to revolutionize time jumping/field management. The original helmets tech is highly gaurded as a secret held by one ruling family that holds a monopoly over the production of the helmet.
Word gets out and the ruling family is interested in stealing the technology from Umil handling it in his afterschool job of cleaning.
The main dialogue from the first act is Umil's encounters with Lord Fringham who has split from his family's domination of helmets in order to build his own helmuts.
The family is represented by mother goose whose daughter "Euralia" is Lord Fringham's sister.
She and her mother the Lady Filipa have helped Lord Fringham in his quest to wrestle the helmut empire from the boardholders and feel the rumors of the modifications are a possible path to see their greed find a home.
Umil has an extra terrestrial occurance when grooming harvest and communicates to his step father that he can't handle the terrifying extreme situation and needs his help. The stepfather goes to Umil only to see nothing wrong and angers over his need for attention. Umil cannot fully explain the trauma to him and shuts down. This is the occurence that sets the stage for the second act into Lord Fingham's lair and plans to seduce Umil with trappings in order to fully rape his stepfather of the new helmut.
Scene changes to extreme wealth married to a burdensome history of wars, assassinations, and away of life that defined civilization of the world through many legacies of advancements that Umil himself holds the key to.
The first act is the anatomy of 1000 European Master works from the rennaisance and in it's first third I have gotten used to working with a digital medium in order to interpret the emotions that come through communicating what isn't said by mouth/mind and laying bare the thread that is the idea for the culmination of works.
Word gets out and the ruling family is interested in stealing the technology from Umil handling it in his afterschool job of cleaning.
She and her mother the Lady Filipa have helped Lord Fringham in his quest to wrestle the helmut empire from the boardholders and feel the rumors of the modifications are a possible path to see their greed find a home.
Umil has an extra terrestrial occurance when grooming harvest and communicates to his step father that he can't handle the terrifying extreme situation and needs his help. The stepfather goes to Umil only to see nothing wrong and angers over his need for attention. Umil cannot fully explain the trauma to him and shuts down. This is the occurence that sets the stage for the second act into Lord Fingham's lair and plans to seduce Umil with trappings in order to fully rape his stepfather of the new helmut.
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